Control Center BLASPHEMY-
THE VATICAN AND THE CATHOLIC CHURCH APPROVE THE FILM SUPERBLASFEMO JESUS \u200b\u200bCHRIST SUPERSTAR BEGINNING
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Here's a magazine article of Paolini's JESUS June 3, 2010:
CULTURE - CARL ANDERSON
of San Judas Superstar Enzo Romeo
was the memorable co-star of Jesus Christ Superstar. Carl Anderson, African-American from Virginia, was Judas. That with Ted Neeley-Jesus established a close friendship on the set, which lasted until his death in 2004 due to leukemia.
Jesus and Judas friends forever. Even after the betrayal and crucifixion. It is not an apocryphal gospel, is the true story of two men, two singers and actors. Ted Neeley, or Jesus, a white Texan, and Carl Anderson, Judas ie, African American from Virginia. Magnificent protagonists of Jesus Christ Superstar, the film directed by Norman Jewison in 1972 and based rock opera by Tim Rice and Andrew Lloyd Webber.
Carl is gone in February 2004. The doctors diagnosed with leukemia while he was on tour in American theaters with yet another version of Superstar. Ted still difficult to accept it, feels it has lost a brother. When I can not remember the tears: "I miss you, Carl," he whispers looking into the void. Then said the last time I saw him in the role of Judas: "It happened in July, seven months before his death, in Philadelphia. Carl was wonderful, vibrant as ever. He had further improved. Now he had entered fully into the character, he had fully understood the torment. " Ted at his funeral sang I Only Want To Say, the song of Gethsemane. "I felt the same emotion as when I sang in the movie," she says as she wipes her eyes moist.
Carl Anderson in a scene from Jesus Christ Superstar.
Jesus Christ Superstar "changed their lives radically. Ted was 28, Carl 26. Frequented the temples of the musical. Ted, in fact, had made the first test for the role of Judas in the stage version of Superstar, but the writing in the choir, while in Los Angeles did not realize that was the ideal person to play Jesus was the replacement for Carl Ben Vereen, actor and dancer of color much more famous than he, called to the role of Judas in Superstar on Broadway. But Ben got sick, and so it fell to go to Carl scene.
Jewison summoned them to London. He wanted to see them together before writing. They made air travel side by side preparing mentally decisive encounter with the director. Carl was a problem in most, was a black boy. What would people say? A black Judas seemed to be a provocation? Norman Jewison recalls: "I was very concerned about the role of Carl, and so was he. We did not want the film to be criticized in terms of race. Carl said: "Why did you choose?". I replied: "I chose you for your talent, not your color." He said, "Then I accept". " Almost without realizing it
Ted and Carl were catapulted into Israel, the places of the Bible. At Beersheba in the Negev desert, the ruins of Herod's fortress, along the shores of the Dead Sea near Qumran, at Caesarea, in the midst of the ruins of the ancient Roman port. "It was an extraordinary experience," says Neeley. "To shoot the opening scene, with the cast arrives in the desert, Norman borrowed the rock of my bus tour. Carl Anderson was with a cap that says Thedis, which meant more or less the opposite of ". He had the most amazing voice in the world. " Ted admits: "Carl was the number one. In the film, Judah is holding together the whole story and binds each character. What we do look at from his point of view, with his eyes. Judah considers Jesus - precisely - a superstar, and so she gets caught by the problems in the worldly success, forgetting the true message. "
The director claims that during filming the cast live as possible divided into clans, just as in the history of film. There was a group of Jude, apostles, that of the priests ... During breaks a group challenged each other in heated game of volleyball. Yet there was perfect agreement between all actors and crew. Neeley met there the woman who would become his wife, Leeyan Granger. "It was one of the dancers in the group of Judah, so it was difficult to dating. We started going out only when it was over. Norman Jewison did not allow me to get too intimate with someone of the set, I was under special surveillance. Plus Leeyan was part of the faction of Judah. \u200b\u200b"
The ascent to Calvary (UNIVERSAL PICTURES).
On the set in the desert, there was a tremendous heat when the sun was at peak temperatures touched 50 degrees. Those young people danced and recited with incredible energy in the dust of the Negev sometimes without disdaining the use of some drugs. It was a size hippy, youthful, but not superficial. In the end everyone is still scarred by that experience had forced each of them to fall into the depths of his soul. Jewison recalls: "The cast was a mixture of Christians, Jews and Muslims. All three major monotheistic religions were represented and there were also two Buddhists. From the religious point of view, we were extraordinarily integrated. Many people take them on the spot. People passing through or who lived nearby. There were also three Italian drivers which use a crane Atlas and it was fantastic the way it made her move with such grace and rhythm. "
It proceeded in a fruitful and perfect isolation. "People who worked in the film," the director said, "did not return home at night, did not speak with the agents, do not watch TV, nothing. We were alone in a foreign country. This was, I think, that he brought people each other and made sure this film will become our life, an experience to address all together. " Neeley added: "We all felt involved in what we were doing. We were nomads, a tribe of artists who have come to fulfill our mission in the desert. And we were friends, as were Jesus, Mary Magdalene, the apostles, Judas. People who had gone through life, made their choices right or wrong. What happens to everyone, every day. So it worked Superstar. "
In this specific context, a cross between a monastery and a town, grew the friendship between Jesus and Judas-Neeley-Anderson. "Carl and I," says Ted, "during processing often went to reread the pages of The Last Temptation, Nikos Kazantzakis's book, which in 1988 drew the Scorsese film of the same name. We were both raised in the southern United States under the gaze of the Baptist Church and knew the Bible well. But we needed another point of view, to detect the human elements, not just religious. "
In that role he was assigned, Anderson had brought with him his whole story. It was one of twelve children of a mill worker and a seamstress. At Dunbar High School, where he graduated, there existed the racial segregation. "Carl had a face, an innocent look," says Neeley. But also a great desire to surrender, to come to realize his dreams. He enrolled at Howard University and became lead singer of rock band Second Eagle. When a TV producer saw a clip of the band playing music from Jesus Christ Superstar, yet never performed in the United States, hired Anderson and he was the turning point.
"With the betrayal of the scene between me and Carl started something that lasted deep into the next thirty years." Ted Neeley is interrupted, and starts to cry silently back to whisper: "I miss you, Carl." Then revives memories of the thread: "How many tears shed that night by reciting, in the garden. Then we were talking a long time. We talked about what awaited us the next day. Oh, the emotional intensity we felt in those days! Experience something profound, what people dream of living in a relationship between two people. The story of Jesus and his betrayal united us and made us stronger. " A force that defied the dangers and overcame them. As happened in the scene of the hanging, in Caesarea. "The tree was near the edge of a cliff and the first take, the rope broke. Carl was about to fall and I was there to watch, even if it was a scene that obviously did not provide for my participation. But I wanted to live the same, and I was there, a spectator. Thank God I was there! Why Carl reached out his arm and clung to my hand as he fell. I was right in front of the camera. " In short, Jesus saved on the set and who knows what Judas did not go so well in reality.
But that was not the only episode that he thought during the making of the film. Ted speaks slowly, frame by frame focuses on what lived in those days: "On the set when we arrived at the end of the day, and we were preparing to take the bus back to the hotel, which has overwhelmed me that I had to pass close to the place the sequence of the crucifixion. I had to always remember what was going to happen. "Whatever happens - I thought - will hang there until the end." For me to see every day on Golgotha \u200b\u200bwas a kind of premonition. It was hard, but needed to meditate. That place always reminded me of what would happen. It is probably the same experience that was Jesus. "
During the filming of the crucifixion, the weather changed suddenly. "In that part of Israel does not rained for an infinity of time and suddenly there was a strong wind and a violent storm broke. The director told everyone to go away because it was dangerous, but I was planted there on the Cross. I felt with the megaphone shouting: "Pull down, pull it down." After almost collapsed. But I'm still here, although the scene has changed me inside. "
Jewison is posted in the story, but he also witnessed an event that has left a question mark and a lot of emotion. He was filming the last scene of the film, which closes with the sun setting over the crucifix. "While I was shooting this scene, something quite unexpected happened. A figure appeared out of nowhere. I had to stop shooting and instead continue to run. I realized then that it was a shepherd and his flock of sheep followed him as we follow the spirit as the sun disappeared. It was something that overwhelmed us all. And we stood there in tears, not knowing what to do. We just had to shoot a sunset, instead ...». Critics wrote that the director wanted to end this means that Christ has died but his message was not lost. Only the pastor was not in the script, had appeared from nowhere, so that the crew seemed a sign or an omen.
director and producers were very much afraid that the controversy could trigger Superstar. After all, it was the first time you saw a Jesus song. Religious faith is always a sensitive nerve in the public and most fundamentalists would not have liked the setting very "earthly" in the film. Norman Jewison says he met with envoys from the Vatican in London: an unidentified lord and an envoy of L'Osservatore Romano. At Pinewood Studios they had to attend a preview screening of the film. "I held my breath because I did not know what would be their reaction. When they came was speechless, overwhelmed by the effect caused by the emotional film. All refer to Rome, I was contacted and I sent a copy to show it to Pope Paul VI. So we got the support of the Catholic Church. " It seems that in those hallowed halls were also enthusiastic about the interpretation of the actors. Ted Neeley points out: "Someone in Rome said:" The guy who does Jesus should be canonized. " Today I would answer: if there is someone to be sanctified, that's Carl. " That is, Judah.
Enzo Romeo
http://www.stpauls.it/jesus/1006je/1006je98.htm
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JESUS CHRIST SUPERSTAR AND 'AN EVIL WORK AND SUPERBLASFEMA
CENTRE ANTI-BLASPHEMY
THE VATICAN AND THE CATHOLIC CHURCH APPROVE THE FILM SUPERBLASFEMO JESUS \u200b\u200bCHRIST SUPERSTAR Jesus BEGINNING
Ed St. Paul June 3, 2010
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BUT JESUS \u200b\u200bCHRIST SUPERSTAR 'AN EVIL WORK AND SUPERBLASFEMA
Here is a review that describes JCS movie: The title on the proper
would Judas Superstar. Review by Walter
NFJewson's film, Jesus Christ Superstar, a film will always modern, especially since relive the excitement of 70 years. It 'a film that appeals more to young people, especially for this film musiche.In the real hero is Judas, wise and rational. The film begins with the arrival of a huge bus in the desert. The bus down a group of hippies, have with them a huge croce.Questi hippies, you put the costumes and makeup. Al'improvviso, among them check a blond boy with blue eyes, the hippies dressed in a tunic bianca.Tutti together al'improvviso, begin to sing the Musicals of AL Webber & T. Rice, "Jesus Christ Superstar." The blond guy is Jesus, he is approaching a girl, is Mary Magdalene, a sinner, who manages to win with his sweet Jesus, which for her is just a man, and he is always with him, day and night. Mary loves Jesus, he cuddles, the smell, sings a sweet song. Judas saw that Jesus acts as a rake, making love to a sinner, the critical behavior of the opposite of how he teaches. This Jesus is not just a libertine, but also confused, not know who he is, because he must die, even with the hard lebrosi proves that the sick and asking for help, tells them that there are too many, should not push it, that does not make it to cure them, and sends them away, telling them to heal soli.Giuda sees Mary anoints Jesus with expensive nard, and is furious. So is Judas to betray Gesù.Dopo the Last Supper, Jesus began his passion in the garden the Getzemani.Questo Jesus is not safe, it is sad, tired, and rails against God, which asks him to show that will be killed in vain, that there is a purpose because he wants to kill him, then he states that he is very smart about where and how, but it is not an expert on perché.Gesù, is arrested, is brought before Pilate, then Herod, then again from Pilato.Gesù, is convicted, is whipping. Now it happens, is no longer a states that Jesus is truly crucified. Judas repented, he rails against God and accuses him telling him, he will never know why he has chosen for its crime, its nasty, cruel crime, and yells that he has assasinato.Giuda hangs himself. Judah, dies and becomes a white angel, who descends from heaven with other angels, which mocks the crucifix, crucify him that was made in vain, and other insulti.Gesù, really dies, the hippies, then go away in a hurry, leaving Jesus, crucified between two morti.Gli last to take the bus are the colored boy who was playing the part of Judah, and the girl who played the part of Mary Magdalene. The film ends like this, the bus moves away quickly, while horizon with the sun going down, you see the crucifix, a man killed and abandoned by a band of freaks. This is the gospel seen by Jewison, who does not believe in Jesus but who believes in Jesus, know that Jesus is truly risen, ascended after rises among, and from there will come the same way as it ascended, until the end of mondo.Chi believes Jesus knew who was in chaste and holy, full of love tutti.Gesù, healed the sick who flocked to him, Jesus said "Come unto me, all ye that labor and are burdened, and I will give you relief." Jesus loved and obeyed the Father, always doing his will. Mddalena Mary in the Gospels, was not a sinner, he loved Jesus with purity enough to be worth it for the first risorto.Giuda other hand, is called the devil by Jesus
http://www.mymovies.it/pubblico/articolo/?id=202117
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Here is a review by the JCS on the musical point of view Christian
JESUS \u200b\u200bCHRIST SUPERSTAR is a very blasphemous work, mainly because
authors, Andrew Lloyd Webber and Tim Rice, are agnostci, do not believe
in Jesus through the various interviews they have stated that Jesus was a false pofeta silly
and libertine, while Judas was only the truly wise, the only one who understood how things were going.
So we see that the JCS Musical insists on the denial of the Son of God
beginning, we see that the prostitute Mary Magdalene, Jesus is able to seduce, with its arts,
rubs it with myrrh, the cuddles, caresses it. Judah saw this, critical
Jesus to be immoral, and do the opposite of what insegna.Intanto Jesus and Mary Magdalene,
live together day and night, she sings a sultry night's sleep, and whispered to keep quiet
of relax and close your eyes, as she will take care of him and refresh with
mirrà.Gesù Magdalene and are therefore amanti.Ecco describes her as Mary Magdalene
love for Jesus;
"I do not know how to love him, what to do to convince him.
It 's a man, it's just a man, and I had so many men before, in all
modi.Lui is just one more.
I should rape?
Should I scream and scream?
give vent to my feelings?
Then, if you tell me she loves me, I could not resist
very own I could not resist .....
I want so, I love it ".
So the prostitute Mary Magdalene, believes that his beloved Jesus, is just one of his many lovers
, it's just a man, a man like others who go to prostitutes. So in
Musical JCS, Jesus is a libertine sinner, not the end, the desecration continues.
is that Jesus is also Musical malvagio.Quando a crowd of needy and sick, and lepers
press to receive healing, comfort and consolation
Jesus tells them furiously, "You are too many non-push! I can not take non-press !
healing yourself, lasciatmi in peace "This is the pure and simple negazone
the most important truth of the gospel: the divinity of the Lord Jesus
Jesus, not only in the Musical libertine and evil, is also to be insecure, sad , tired, confused and
is no one really knows who he is, because he must die, and he rebelled against God, because he does
die without a reason, "Show me now that I will be killed in vain ..........................................
..... Show me that there is a purpose because I do empty morire.Sei very smart about where and how, but not so expert as to why
"So we have a Jesus who curses God, and then continued to yell at God
telling him to kill him and nail him now before he change his mind, true bstemmie
that make the opposite of Jesus as described in the Gospel.
Judas in the Musical accuses God of using it, "God I'll never know because I've
chosen for your crime, your disgusting, cruel crime! assssinato You got me! "in the Musical
But then, we see that Judas hanged himself after he dies and becomes an Angel
and descends from heaven with other angels and makes fun of Jesus, who is on the cross, telling him that he did crucify
vain.
Jesus, musicals, died crucified, not resurrected, it is not the Son of God but an evil and mad sinner
libertine.
What atheists love this Musical is normal, but those who call themselves Christian and accept the Musical,
denies his faith and is a hypocrite and cursing God, the Holy Scriptures and the Lord Jesus
If Jesus had been like the Musical, Christianity is not sarebe never born, and nobody knows
Jesus now.
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NOW IN THE CATHOLIC CHURCH SATAN REIGNS
JCS SPONSORED BY THE CATHOLIC CHURCH VATICAN
a long time this attitude is blasphemous, already 70 years, and throughout Italy, the songs of the musical
, blasphemous, Jesus Christ Supertstar were censored, were radioed,
Radio-Vaticana.JCS, has now become a work of Catholic worship, even the kids are acting
on the altar of the church, we see girls who sing to Jesus as a sexual love, calling it a
of many who go to prostitutes, and children are part of a Jesus, bad, who sends away with cruelty,
patients who ask for help, a Jesus who is angry against the Almighty, because he does
die without a reason.
How many oaths, all happens also because the Catholics are ignorant do not have Bibles,
they know the Gospel, even in church we read the Gospel, we prefer
quotations from pagan religions.
Catholic churches in the same way as Protestants, have become theaters and clubs with all types of music, including
satanic rock.
The clergy and Catholic theologians, increasingly declare that the facts of the Gospel, they are legends, as more and more
approve and support, film blasphemous against Jesus
Now we also bring the sisters to spread JCS!
(1) Even mentioning it as Gospel of Matthew;
Daughters of St. Mary of Providence - Province "Blessed Louis and Chiara - Via Statale per Lecco, 20 - 22100 Como (Italy)
Video:
http://singasyougo.blogspot.com/2010/03/hosanna-jesus-christ-superstar. html
http://www.cgfsmp.org/
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a warning to all those who make blasphemous JESUS \u200b\u200b'
All of us one day stand before the true Lord Jesus Christ,
not before the birth but an atheist by the imagination of some the Judge of all the earth.
Our eternal destiny depends on the relationship we had with him
V. John
3, 36
"Whoever believes in the Son has eternal life;
those who refuse to believe the Son shall not see life; but the wrath of God abides on him "
Those who deny the divinity of Jesus is the antichrist, then one of the damned forever.
Youth First Letter:
2, 22-23
Who is the liar but he who denies that Jesus is the Christ? The antichrist is the one who denies the Father and the Son.
Whoever denies the Son has the Father is not he who professes his faith in the Son has the Father also.
4, 2-3
By this you know the Spirit of God: Every spirit that acknowledges that Jesus Christ is come in the flesh is of God;
every spirit that does not acknowledge Jesus is not of God This is the that spirit of antichrist, whereof ye have heard, now it is already in the world.
Jesus warned us about the blasphemies against Him
V. Matthew
12, 30-37
12.30] who is not with me is against me, and whoever does not gather with me scatters.
[31] Therefore I tell you, every sin and blasphemy shall be forgiven unto men: but the blasphemy against the Spirit will not be forgiven.
[32] And whosoever speaketh against the Son of Man will be forgiven, but blasphemy against the Spirit will be pardoned neither in this world, nor in the future.
[33] If you take a good tree, its fruit will be good, if you make the tree bad and its fruit corrupt: for the fruit because the tree is known.
[34] You brood of vipers, how can you say good things, you are evil? Since the abundance of the heart the mouth speaks.
[35] A good man out of his good treasure brings forth good things: and an evil man out of his evil treasure brings forth evil.
[36] But I say unto you, That every idle word that men will render account on the day of doom
[37] For by thy words thou shalt be justified and by thy words thou shalt be condemned. "
We do not need works blasphemous Jesus
but only the Gospel is the saving truth!
St. Paul warned us.
Letter to the Galatians: 1.8 to 9
But even if we ourselves or an angel from heaven, preach any other gospel
from what we have preached, let him be accursed!
We have talked about before and now say it again: If anyone preaches a gospel
different from the one you received, let him be accursed!
NB Both Anathema is both Maletto and go to hell! Bible Quotes
http://www.vatican.va/archive/ITA0001/_INDEX.HTM
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